FRANCESCO photo Luca Gavagna FRANCESCO
inspired by the life of Giovanni Bernardone, the "little poor man" of Assisi,
finally ordained as
Saint Francis




"I am God's jester...
Listen to the new Madness!...
Lift up your eyes to the sky,
look at the moon!"



International Papers Representations
Technical Requirements




Staging and Music Cora Herrendorf
Dramatic Composition Horacio Czertok
Scenery and Costumes Rèmi Boinot
Constructions: Michael Beyermann
assisted by Gerhard "Django" Herbert


A long time ago, aboy had a dream that he couldn't wake up from. He dreamt that all the world sang and loved, flora and fauna and the sun and death. He dreamt that Man no longer exploited Man because he was brother and sister; he dreamt that he had to abandon riches because they were only a dazzling show and that he was to live in poverty. He went out in the streets to sing the new madness and, little by little, thousands joined him. The force of his singing convinced popes and sultans, warriors and merchants; he died, naked, embracing the naked sister earth.

The image of Francesco came to us in the terrible days of the war in Bosnia, when we wanted to portray in the streets the horror that was taking place right in front of our very eyes. The research done by Henry Throde and Chiara Frugoni helped us understand the real story of a character who was hastily captured in the realms of symbol and myth, rendering his account inoffensive and his proportions gigantic, perhaps too big for us, little, men. Our civilisation reads the dream of Francesco like an illness: perhaps this is the real illness.




WHAT THE INTERNATIONAL PAPERS SAY

...an ambitious performance, the Francesco of the Teatro Nucleo company. It functions on the actions of the actors, on the expressiveness of bodies and stage movements. An interesting theatrical gamble: Saint Francis of Assisi reborn in a universe of silence......the magnificent choreography and the perfect beauty of these moments overcome ordinary understanding, something the spectator can do without: this theatre acts on the emotions and sensitivities.
La Montagne, Aurillac (F)

...suggestive body language and costumes full of fantasy, with modern associative elements, have given a new face to the legend of the Saint...
Westfälische Rundschau, Hagen (D)

...the intensity of the representation is so strong that the audience is fascinated by the impressions, the emotional tensions, the dramatic composition made up of very short scenes with a metaphor of the universal character shining through from each one. A revelation...
Zycie Warszawa, Varsavia (PL)

...another, very important, attempt by Nucleo to reflect on history, on human existence, on the relationship between Man and God and Man and the other Man....
Gazeta Wyborcza, Poznan (PL)





From 1994 "Francesco" has been represented in:


ITALY GERMANY FRANCE POLAND
Assisi (PG)
Anagni (FR)
Ferrara
S.F.D'Intelvi(CO)
Arezzo
Salizzole (VR)
Messina
Gela(CL)
Narni (PG)
Aliminusa (PA)
Niscemi (CL)
Grammichele (CT)
Montone (TE)
Pisogne (BR)
Chieti
Dortmund
Holzminden
Hagen
Bielefeld
München
Hannover
Aurillac
Blois
B.res de Bigorre
Poznan
Warsaw



TECHNICAL REQUIREMENTS


Name of play:"Francesco"
Length: 60 minutes (no interval)
Place of Performance: Square or street closed to traffic and with no parked cars or other vehicles; compact, hard ground with no obstacles and/or steps!
Performance area dimensions: 35 m x 12 m ( see plan overleaf )
Set building time: 8 hours (the morning of the performance)
Set removal time: 4 hours (immediately after performance)

The play starts after sunset.
During the building of the set, the place of performance must be reserved exclusively for the Company.
The set includes a structure of height 7.80 m, width 6.50 m and depth 9 m. Please take into account the danger of overhead cables, street lighting etc.

Access to the area required for one lorry (height 3.40m, width 2.50 m, total weight 7.5 t) and one van. The Organiser must obtain the necessary permits. The lorry is needed in the building of the set.

Electricity connection:
380 V / 63 A (three-phase, 40 kW) + neutral + earth, no further than 30 m from the centre of the performance area.

Darkness:
The lighting is an important part of the play. We therefore need darkness during the performance. At the end of the play we will need enough light to take down the set.

Water:
A tap is needed nearby to for filling cans with water. We will need about 200 litres of water.

Personnel:
2 Technicians for unloading/building/removal/loading and, if necessary, for surveillance during the performance.
1 Electrician for connecting up the lights (at the start of building the set) and for switching the audience lights on and off before and after the performance.
1 Manager with the power to take decisions.

Dressing rooms:
One room next to the performance area for use as a dressing room and for the preparation of the costumes, with electricity and toilet facilities. The room will be used throughout the entire day of the performance.

Steps or chairs can be put up along the sides of the performance area for seating the audience.

Flaming objects and small, authorised fireworks will be used during the performance.

Please inform us of any technical problems at least two weeks before the date of the performance.



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