{"id":380,"date":"2023-04-18T17:00:07","date_gmt":"2023-04-18T15:00:07","guid":{"rendered":"https:\/\/www.teatronucleo.org\/eng\/?p=380"},"modified":"2023-04-19T13:58:38","modified_gmt":"2023-04-19T11:58:38","slug":"kashimashi-21th-and-22nd-march-was-guest-of-the-first-festival-internacional-de-teatro-gestual-de-madrid","status":"publish","type":"post","link":"https:\/\/www.teatronucleo.org\/eng\/2023\/04\/18\/kashimashi-21th-and-22nd-march-was-guest-of-the-first-festival-internacional-de-teatro-gestual-de-madrid\/","title":{"rendered":"“Kashimashi” 21th and 22nd March was guest of the first Festival Internacional de Teatro Gestual de Madrid"},"content":{"rendered":"

Natasha Czertok on 21 and 22 March staged “Kashimashi” as part of the first edition of the Festival Internacional de Teatro Gestual de Madrid. The festival was born as a platform of visibility and dissemination of the Gestual Theatre, emphasizing the contemporary stage creation and facilitating the approach of the public.<\/p>\n

\"\"<\/p>\n

The actress with “Kashimashi” staged a “private bestiary” that insinuates itself, with a good dose of self-irony, into the dynamics linked to what we usually define as “normality” and to the stereotypes in which we recognize ourselves, which we reject, in which we feel forced.<\/p>\n

 <\/p>\n

Kashimashi<\/span><\/p>\n

By and with<\/span>\u00a0Natasha Czertok
\nSound design<\/span>: Vincenzo Scorza and Alessandro Campioni
\nStage photos<\/span>: Daniele Mantovani
\nLight design<\/span>: Franco Campioni
\nMask<\/span>: Beatrice Pizzardo<\/p>\n

Festival Internacional de Teatro Gestual de Madrid : <\/a>promoted, organized and produced by Waldo Rosales of Moviendo Teatro.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Natasha Czertok on 21 and 22 March staged “Kashimashi” as part of the first edition of the Festival Internacional de Teatro Gestual de Madrid. The festival was born as a platform of visibility and dissemination of the Gestual Theatre, emphasizing the contemporary stage creation and facilitating the<\/p>\n","protected":false},"author":2,"featured_media":382,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.teatronucleo.org\/eng\/wp-json\/wp\/v2\/posts\/380"}],"collection":[{"href":"https:\/\/www.teatronucleo.org\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teatronucleo.org\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teatronucleo.org\/eng\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teatronucleo.org\/eng\/wp-json\/wp\/v2\/comments?post=380"}],"version-history":[{"count":4,"href":"https:\/\/www.teatronucleo.org\/eng\/wp-json\/wp\/v2\/posts\/380\/revisions"}],"predecessor-version":[{"id":393,"href":"https:\/\/www.teatronucleo.org\/eng\/wp-json\/wp\/v2\/posts\/380\/revisions\/393"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.teatronucleo.org\/eng\/wp-json\/wp\/v2\/media\/382"}],"wp:attachment":[{"href":"https:\/\/www.teatronucleo.org\/eng\/wp-json\/wp\/v2\/media?parent=380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teatronucleo.org\/eng\/wp-json\/wp\/v2\/categories?post=380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teatronucleo.org\/eng\/wp-json\/wp\/v2\/tags?post=380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}