{"id":95,"date":"2020-12-02T22:35:24","date_gmt":"2020-12-02T21:35:24","guid":{"rendered":"http:\/\/www.teatronucleo.org\/eng\/?p=95"},"modified":"2022-04-01T01:26:13","modified_gmt":"2022-03-31T23:26:13","slug":"kashimashi","status":"publish","type":"post","link":"https:\/\/www.teatronucleo.org\/eng\/2020\/12\/02\/kashimashi\/","title":{"rendered":"Kashimashi"},"content":{"rendered":"

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By and with <\/strong>Natasha Czertok<\/p>\n

Sound design:<\/strong> Vincenzo Scorza and Alessandro Campioni<\/p>\n

Stage photos: <\/strong>Daniele Mantovani<\/p>\n

Light design: <\/strong>Franco Campioni<\/p>\n

Mask: <\/strong>Beatrice Pizzardo<\/p>\n

Stage photographer:<\/strong> Daniele Mantovani<\/p>\n

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Kashimashi<\/strong> is the new study carried out by the actress and director Natasha Czertok , of Teatro Nucleo , born within the framework of a research on the themes of women and gender representation . It was presented with the provisional title of “Private Bestiary” at the festival Altre Visioni Coltano (Pisa) , as well as at the Festival Totem Scene Urbane in Pontelagoscuro (Ferrara) and at the International Frauen Theater Festival in Frankfurt.<\/p>\n

The title ironically resumes a stereotypical and discriminating use in the Japanese language: Kashimashii means in fact “noisy, chaotic” gift of a traditional perspective that makes a women’s shed as the source of confusion and disorder.<\/p>\n

Gender determines our daily actions: gestures, behaviour, social rituals. With the magnifying glass of theatrical research, Natasha Czertok’s “private bestiary” insinuates itself, with a substantial dose of self-irony, into the dynamics linked to what we usually define as “normality” and to the stereotypes in which we recognize ourselves \/ that we reject \/ in which we feel compelled.\u00a0 The world that human beings put into shape in order to be effective in their tendency towards universality necessarily uses a symbolic modality, and it is to these symbols that the performance makes reference. To enrich this look, the director and performer has chosen the “open laboratory” approach, inviting a group of friends and colleagues of different ages, sexes, ethnic and social backgrounds to contribute.<\/p>\n

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